MIRAMAR, FL — The Ansin Family Art Gallery at the Miramar Cultural Center is proud to present Myths: Menace and Mischief, the first solo exhibition by acclaimed writer and multidisciplinary artist Elliot Bastien. The exhibition runs from June 1–12, 2026, in celebration of Caribbean American Heritage Month.
Inspired by Caribbean folklore and the rich blend of African, European, and Indigenous influences that shape the region’s cultural identity, the exhibition features two large-scale works and 35 small- and medium-sized paintings. Through vibrant colors, bold abstract forms, and layered textures, Bastien reimagines myths, legends, and traditions that have shaped generations.
Vice Mayor Carson “Eddy” Edwards (left) with Sandy Raymond, President of Hispanic Community Advocates, at the opening reception.
A private opening reception hosted by Miramar Vice Mayor Carson “Eddy” Edwards featured an artist talk by Bastien and lively emceeing by comedian Cindy-Anne Boisson, creating an evening of art, culture, and storytelling.
The exhibition also complements Caribbean American Heritage: A History of High Achievers, a publication by Bastien and his wife, Sandra Bernard-Bastien, celebrating the achievements and contributions of Caribbean Americans.
Exhibition Details
What: Myths: Menace and Mischief – A Solo Exhibition by Elliot Bastien
When: June 1–12, 2026 | Monday-Friday | 9:30 AM-4:30 PM
Where: Ansin Family Art Gallery, Miramar Cultural Center, 2400 Civic Center Place, Miramar, FL 33025
Admission: Free and open to the public
About Elliot Bastien
A Fort Lauderdale-based artist, poet, and author, Elliot Bastien has been published by Oxford University Press and the Arvon Foundation and is the author of four books. His poem Limbo was recently selected for inclusion in the Florida Bards 2026 Anthology. While he has participated in exhibitions in Fort Lauderdale, Toronto, and Montserrat, Myths: Menace and Mischief marks his debut solo exhibition.
“Caribbean mythology fascinates me because it balances fear and humor, menace and mischief,” says Bastien. “Many of these paintings began as poems, inspired by the storytelling traditions that continue to shape Caribbean identity.
